{"product_id":"mousse-90","title":"Mousse: The Fiction Issue (n. 90)","description":"\u003cdiv class=\"row\"\u003e\n\u003cdiv class=\"col-md-8 col-resume\"\u003e\n\u003cdiv class=\"accroche\" itemprop=\"description\"\u003e\n\u003cem\u003eMousse\u003c\/em\u003e\u003cspan\u003e \u003c\/span\u003ecelebrated its 90th issue (February 2025) with a collectible, special edition, \u003cmeta charset=\"utf-8\"\u003efocused entirely on fiction. \u003cmeta charset=\"utf-8\"\u003eIt includes reprints from both \u003cem\u003eMousse\u003c\/em\u003e and \u003cem\u003eThe White Review\u003c\/em\u003e as well as new stories and translations the two publications jointly commissioned. Seven interludes, intended to open up other worlds through images, feature portfolios of drawings by Atelier dell'Errore, Michael E. Smith, Camille Henrot, Michael Landy, Simone Forti, Adelaide Cioni, and Evelyn Taocheng Wang.\u003c\/div\u003e\n\u003cdiv class=\"accroche\" itemprop=\"description\"\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003cdiv class=\"accroche\" itemprop=\"description\"\u003eFrom the editorial: \u003c\/div\u003e\n\u003cdiv class=\"accroche\" itemprop=\"description\"\u003e\n\u003cmeta charset=\"utf-8\"\u003e \u003cem\u003eFiction itches us to get away, while its stoking fire lures us to stay a little longer. Is it about practicing character development? Playing our own shrink? Adding a spring to our step? Articulating the impossible in times of adversity? In the name of whatever it is, fiction has a distinctive way to kiss and tell.\u003cbr\u003eBringing together a cohort of writers and artists,\u003cspan\u003e \u003c\/span\u003e\u003c\/em\u003eMousse\u003cem\u003e\u003cspan\u003e \u003c\/span\u003e#90 –\u003cspan\u003e \u003c\/span\u003e\u003c\/em\u003eThe Fiction Issue\u003cem\u003e\u003cspan\u003e \u003c\/span\u003estems from the eponymous Fiction column that has dwelled in our pages for five years, and expands its scope. It was developed together with\u003cspan\u003e \u003c\/span\u003eRosanna McLaughlin,\u003cspan\u003e \u003c\/span\u003eSkye Arundhati Thomas, and Izabella Scott, who collectively coedited the art and literature quarterly\u003cspan\u003e \u003c\/span\u003e\u003c\/em\u003eThe White Review\u003cem\u003e\u003cspan\u003e \u003c\/span\u003ebetween 2021 and 2023.\u003c\/em\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"accroche\" itemprop=\"description\"\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003cdiv class=\"accroche\" itemprop=\"description\"\u003e\n\u003cmeta charset=\"utf-8\"\u003e \u003cem\u003eMousse\u003c\/em\u003e\u003cspan\u003e \u003c\/span\u003eis a bimonthly contemporary art magazine. Established in 2006,\u003cspan\u003e \u003c\/span\u003e\u003cem\u003eMousse\u003c\/em\u003e\u003cspan\u003e \u003c\/span\u003econtains interviews, conversations, and essays by some of the most important figures in international criticism, visual arts, and curating today, alternated with a series of distinctive articles in a unique tabloid format.\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"col-md-4 col-infotech\"\u003e\n\u003cdiv class=\"d-none d-md-block\"\u003e\n\u003cdiv class=\"cart-resultat\"\u003e\n\u003cdiv class=\"row\"\u003e\n\u003cdiv class=\"col-md-8 col-resume\"\u003e\n\u003cdiv class=\"mt-4\"\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003cdiv itemprop=\"summary\" class=\"accroche\"\u003e\n\u003cp\u003eTable of Contents:\u003c\/p\u003e\n\u003cp\u003eMAKENNA GOODMAN\u003cbr\u003eModern Metronome\u003cbr\u003eMousse #90, Winter 2025\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"cart-resultat\"\u003e\n\u003cmeta charset=\"utf-8\"\u003e\n\u003cdiv class=\"col-md-8\"\u003e\n\u003cdiv class=\"ouvrage\" itemtype=\"http:\/\/schema.org\/Book\" itemscope=\"\" itemprop=\"mainEntity\" id=\"page\"\u003e\n\u003cdiv class=\"row\"\u003e\n\u003cdiv class=\"col-md-8 col-resume\"\u003e\n\u003cdiv itemprop=\"summary\" class=\"accroche\"\u003e\n\u003cp\u003eEILEEN MYLES\u003cbr\u003eTiny\u003cbr\u003eMousse #79, Spring 2022\u003c\/p\u003e\n\u003cp\u003ePIP ADAM\u003cbr\u003eGhost Story\u003cbr\u003eThe White Review, Issue 31, July 2021\u003c\/p\u003e\n\u003cp\u003eATELIER DELL'ERRORE\u003cbr\u003eStudies for Cellule Oracolari, 2020\u003cbr\u003ePortfolio\u003c\/p\u003e\n\u003cp\u003eELVIA WILK\u003cbr\u003eExtinction Burst\u003cbr\u003eMousse #80, Summer 2022\u003c\/p\u003e\n\u003cp\u003eEMILY LABARGE\u003cbr\u003ePareidolia\u003cbr\u003eMousse #85, Fall 2023\u003c\/p\u003e\n\u003cp\u003eLINA MERUANE\u003cbr\u003eDeeper\u003cbr\u003eTranslated by Megan McDowell\u003cbr\u003eThe White Review, Issue 31, July 2021\u003c\/p\u003e\n\u003cp\u003eLISA ROBERTSON\u003cbr\u003eA River\u003cbr\u003eMousse #81, Fall 2022\u003c\/p\u003e\n\u003cp\u003eMICHAEL E. SMITH\u003cbr\u003eUntitled, 2024\u003cbr\u003ePortfolio\u003c\/p\u003e\n\u003cp\u003eJOHANNA HEDVA\u003cbr\u003eYour Love Is Not Good\u003cbr\u003eMousse #84, Summer 2023\u003c\/p\u003e\n\u003cp\u003eK ALLADO-MCDOWELL\u003cbr\u003eThe Depression Artist\u003cbr\u003eMousse #81, Fall 2022\u003c\/p\u003e\n\u003cp\u003eESTELLE HOY\u003cbr\u003eI Always Had the Nerve to Do Things in Secret: Sub-Rosa Retrospectives\u003cbr\u003eMousse #77, Fall 2021\u003c\/p\u003e\n\u003cp\u003eCAMILLE HENROT\u003cbr\u003eA selection by the artist and\u003cspan\u003e \u003c\/span\u003eEstelle Hoy\u003cbr\u003ePortfolio\u003c\/p\u003e\n\u003cp\u003eDODIE BELLAMY\u003cbr\u003eWe Run for Our Lives\u003cbr\u003eMousse #77, Fall 2021\u003c\/p\u003e\n\u003cp\u003eLUCY IVES\u003cbr\u003eMatthew\u003cbr\u003eMousse #80, Summer 2022\u003c\/p\u003e\n\u003cp\u003eMICHAEL LANDY\u003cbr\u003eOut of Place, 2024\u003cbr\u003ePortfolio\u003c\/p\u003e\n\u003cp\u003eRZ BASCHIR\u003cbr\u003eThe Chicken\u003cbr\u003eThe White Review, Issue 32, February 2022\u003c\/p\u003e\n\u003cp\u003ePRETI TANEJA\u003cbr\u003eDog Days\u003cbr\u003eMousse #90, Winter 2025\u003c\/p\u003e\n\u003cp\u003eSIMONE FORTI\u003cbr\u003eAnimal Study – Gorilla, ca. 1990\u003cbr\u003ePortfolio\u003c\/p\u003e\n\u003cp\u003eCELIA BELL\u003cbr\u003eThe Magic Dollar\u003cbr\u003eThe White Review, Issue 31, July 2021\u003c\/p\u003e\n\u003cp\u003eTRAVIS JEPPESEN\u003cbr\u003eU in a Movie Called The Green Ray\u003cbr\u003eMousse #76, Summer 2021\u003c\/p\u003e\n\u003cp\u003eGEETANJALI SHREE\u003cbr\u003eButterflies\u003cbr\u003eTranslated by Daisy Rockwell\u003cbr\u003eThe White Review Writing in Translation Anthology, March 2024\u003c\/p\u003e\n\u003cp\u003eADELAIDE CIONI\u003cbr\u003eKew. A conversation in green, 2019\u003cbr\u003ePortfolio\u003c\/p\u003e\n\u003cp\u003eCAO KOU\u003cbr\u003eStench\u003cbr\u003eTranslated by Canaan Morse\u003cbr\u003eThe White Review, online contribution, January 2023\u003c\/p\u003e\n\u003cp\u003eSTEPHANIE LACAVA\u003cbr\u003eThe Voice Imitator\u003cbr\u003eMousse #78, Winter 2022\u003c\/p\u003e\n\u003cp\u003eEVELYN TAOCHENG WANG\u003cbr\u003eThree Versions of Change (stills), 2018\u003cbr\u003ePortfolio\u003c\/p\u003e\n\u003cp\u003eOLIVIA SUDJIC\u003cbr\u003eAfter the Volcano\u003cbr\u003eMousse #86, Winter 2024\u003c\/p\u003e\n\u003cp\u003eMACARENA GÓMEZ-BARRIS\u003cbr\u003eChuquicamata\u003cbr\u003eMousse #87, Spring 2024\u003c\/p\u003e\n\u003cp\u003eSARA ABOU GHAZAL\u003cbr\u003eJobseeking\u003cbr\u003eTranslated for the occasion by Katharine Halls\u003cbr\u003eMousse #90, Winter 2025\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"separationTitre\"\u003eSoftcover \/ Pages: \u003cmeta charset=\"utf-8\"\u003e336 pp. \/ Dimensions: \u003cmeta charset=\"utf-8\"\u003e23,5 x 32 cm \/ \u003cmeta charset=\"utf-8\"\u003ePublication date: February 2025\n\u003cdiv itemprop=\"numberOfPages\" class=\"descrListe\"\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"descrListe\"\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003cdiv class=\"descrListe\" itemprop=\"numberOfPages\"\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003cdiv class=\"prixListe\" itemprop=\"offers\" itemscope=\"\" itemtype=\"http:\/\/schema.org\/Offer\"\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003cdiv class=\"separationTitre\"\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003cbr\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e","brand":"Well Read","offers":[{"title":"Default Title","offer_id":53330334089546,"sku":"ref1197","price":17.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0840\/6496\/0842\/files\/20251108-1709_001.jpg?v=1776609244","url":"https:\/\/wellread.pt\/products\/mousse-90","provider":"Well Read","version":"1.0","type":"link"}