Ana Jotta: Peau d'Ana
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Well Read
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Portugal
A long conversation about the work and life of Portuguese artist Ana Jotta, accompanied by 60 previously unpublished photographs of her homes (in Brazil, Morocco, and Zanzibar) and her years in theater in the late 1970s.
Peau d'Ana is a conversation with Ana Jotta, conducted in January 2024 by Alice Dusapin, Martin Laborde, and Baptiste Pinteaux in the Lisbon apartment that Ana has occupied for over forty years. Through the history of both this unique place and the various other homes in which she has lived—Tangier, Madeira, Brazil, and the Portuguese countryside — Ana Jotta mischievously and playfully invites us to revisit fragments of her life. She discusses her childhood, her work as an actress and set designer, her first exhibitions in the mid-1980s, and her life in the studio. She talks about the importance of pleasure and frustration, her love of painting and literature, and the role of the irrational in her work. She shares her dislike of families, her friendships with artists and other animals, and the detours necessary for finding, and preserving, the energy essential for work… and for sleep. She disarms with the precision of her words, which describe a solitary, demanding, and profoundly vivid existence where mediocrity has no place. The interview, published in French and English, is accompanied by some sixty previously unpublished photographs and documents.
Ana Jotta (born 1946 in Lisbon, Portugal)'s output is one of the most singular art practices of the European art scene. Appropriating and giving new life to the objects, images, writings, and inventions of others, whether artists or amateurs, she questions the notions of categorization and originality. Her practice explores all artistic mediums: painting, sculpture, installation, audio, photography, as well as the so-called minor arts (sewing, embroidery, ceramics). Her work frees itself from any identifiable style, rejecting the very notion of signature, with a biting irony and an intelligent use of space and assemblage.
Since the 1980s, Ana Jotta's work has been the subject of solo exhibitions in numerous prestigious institutions in Europe and the United States such as WIELS in Brussels, Belgium (2024-2025); Kunsthalle Zurich, Switzerland (2024); CCA Wattis Institute for Contemporary Arts in San Francisco, USA (2023); Festival d'Automne in Paris, France (2022); Le Crédac in Ivry-sur-Seine, France (2016); Établissement d'en face in Brussels (2016). In Portugal, she has also exhibited her work regularly, notably at the Museu de Serralves in Porto (2022 and 2005), at the Casa São Roque - Centro de Arte in Porto (2019), at Culturgest Porto (2016) and at Culturgest Lisbon (2014 and 2009).
Edited by Alice Dusapin, Martin Laborde, Baptiste Pinteaux. / Graphic design: Charles Mazé & Coline Sunier
Softcover / Published in January 2026 / Bilingual edition (English / French) / Dimensions: 13 x 20,5 cm / Pages: 200 (60 ill.) / ISBN : 978-2-9576611-8-3