The Interjection Calendar 010 celebrates a decade of artist-led contributions, guest edited by Rhea Dillon.
The Interjection Calendar is a project devised and hosted by Montez Press. Each month an artist or writer is commissioned to produce a new piece of work for release on our website. At the end of the year the collection is published, demonstrating a diverse range of collaborations and experimental works, mapping the year in contemporary art writing, with equal space held for the emerging and the established. The Calendar reflects the current importance of online content media, pushing the relationship between image and text in this domain.
From the Editor’s Note by Rhea Dillon:In editing there is no space. A lack of space due to the length of a piece. A lack of space due to time with the piece. And, a lack of space to hide from the reality of those outside of yourself. How do you learn to be in between first-person desire and third-person reception? Secondness, perhaps. Secondary, absolutely.All I know is that a mirror makes a reflection,anda reflection makes a symbol,and minelooks likea spade.A Mirror, A Symbol; A Spade ContributorsMayra A.Rodríguez Castro, raphaëlle red, Oisín Roberts, Issy Wood, Tiana Reid, Taha Afefe, Octavia Bürgel, Ladin Awad, Abiba Coulibaly, Ryan C. Clarke, Yi Wei and Cheryl Clarke.Editor Bio: Rhea Dillon is an artist, writer and poet based in London. Dillon works across sculpture, painting, olfaction and wide-ranging materials to articulate an aesthetic of diasporic Blackness grounded in a postcolonial nonbeing. Dillon’s work is a long intergenerational study that connects to her ancestors through her eclectic armoury and experimentation with different forms. ISBN 978-3-945247-37-2 / Year: 2025 / Format: 10 × 15.5 cm /Pages: 101
Well Read is a critically curious bilingual art & design bookstore, event space located in Lisbon, Portugal. Online store ships within the EU.
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